7 Essential Things Every Photographer Needs to Learn


What’s the difference between a great photo and a great photographer?

(Other than “grapher”, you cheeky monkey.)

It’s consistency.

We’ve all fluked a great shot. You’re not totally sure how you managed it, but everything just magically fell into place and you snagged an image that makes you feel like you’re a total all-star.

If you want to start with photography the RIGHT way – CLICK HERE for our easy, quick (and fun!) online course!

But the trick is being able to repeat that awesomeness…

Time and time again.

That’s what great photographers can do.

So what’s the secret sauce? Buckets of luck? Shooting a bazillion shots so they can get enough of those flukes?

Nope. It all boils down to a short list of fundamentals. These are the things that great photographers know inside and out, so that when the time comes, they can call this information into action to help them produce those winning images.

So you want to take great photos? You want to up your game as a photographer? This is where to start.

1. Know Your Camera


Would you believe there are professional photographers out there that don’t fully know how to control their camera? It’s true. How do I know?

I used to be one of them.

Yep, it’s a big ugly confession, but it’s true. We started off shooting in Aperture Priority mode, and let the camera do the thinking for us.

We thought it was faster and easier than learning all that scary technical stuff.

And you can fake it here for a while. Cameras are smarter than ever, and they can get pretty close for you. But not knowing this stuff will truly hold you back, and keep you firmly in the “fluking it” category.

What I’m talking about here is needing to understand the essential features of your camera and your lens, and knowing how that affects the look of your images.

You need to know how changing your aperture changes the look of your photo.

You need to understand how to set your shutter speed to get the results you want.

You need to be able to make decisions with your ISO that fit your situation.

And then, based on what features your camera has, you’ll need to know about drive modes, white balance, focusing, stabilization modes and so on.

Luckily this stuff isn’t as hard as it sounds. In fact you can learn it all in just a few hours. Once you do, you’ll be ready to move on to the next level.

2. Understand Exposure


Once you have a solid grasp on aperture, shutter speed and ISO, and how they affect the look of your photos, you need to put them all together and learn how they balance to create a good exposure.

One of the trickiest things is first figuring out just what people mean by a “good exposure”. Some folks make it seem like there’s a right exposure and a wrong exposure and if you get it wrong you’re pretty much a doofus.

That’s silly.

And if you go online and try to get a clear definition? Ha, good luck! They are all super confusing, and don’t really get to the heart of how to actually create a good exposure.

(My personal favorite is “The intensity of light falling on a photographic film multiplied by the time for which it is exposed”….Uh…so do I need a calculator for this?)

So we made up our own definition of exposure:

A good exposure is how bright you want the image to be.

If it’s brighter than you want, it’s overexposed. If it’s darker than you want, it’s underexposed.


In the end it’s your own creative decision. You’re the photographer after all. But you need to know how to adjust all your settings to get that exposure you’re looking for, and how to use your camera to help you figure it out.

If you want to start with photography the RIGHT way – CLICK HERE for our easy, quick (and fun!) online course!

3. Master Light


Let me start off by saying that I don’t think anyone can truly be the master of light (except maybe the Greek God Apollo). We photographers are the glad and willing slaves to light. Without it we can’t do our work. And it can be a fickle master (especially if you use natural light).

But to learn about light. To understand it’s many facets and subtleties. To know how to work with it in any circumstance. To create it. To seek it. Well, this is really the photographer’s lifelong pursuit. We won’t ever really be the master, but we may come close, with a lot of respect and decades of practice.

Where to begin? Simple. Outside. The are endless lighting opportunities waiting for you when you step outdoors. Can you shoot in harsh midday sun? Golden hour light? After the sun goes down? When the stars come out?

Then hop back inside. Use the light of windows. There is unlimited variety there, and you can really start to get the finer points down in such a simple (but complex) scenario.

Ready to keep learning? Try your hand at creating your own light (like a wizard!). Learn how to use an external flash. Rent, borrow or buy a few studio lights, and start to create your own lighting setups.

Keep seeking light, keep learning about it, and keep pushing yourself into new lighting situations. It will bring you a lifetime of photographic adventures, and more than a few great images.

4. Explore Depth of Field


Now enough romance about light. Let’s get practical.

Depth of field is a huge part of your photography that you probably greatly underestimate.

I know, because I underestimate it. And I know that I do, and I still do. You know?

Depth of field is one of those things that seems simple at the outset, and gets progressively more complex the more you learn. But learning about it, even at the basic level, will make a huge transformation in your work.

For instance, without first learning about depth of field, you might think that to get some background blur in your image, you just need to decrease your aperture value.

But you didn’t take the focal length, subject to background distance, and camera to subject distance into account. And with a certain combination of factors. your aperture might actually have very little to no affect on your depth of field. It’s true. Sometimes there’s no discernible depth of field difference between f/1.4 and f/11.

Once you start to understand how all of these interact, you can start to get impressive background blur, even with a point and shoot camera at a high aperture, just by knowing exactly how to control all the variables.

Another misconception about depth of field is the idea that “shallow is always better”.  When you’re just getting started, shallow depth of field is a new and exciting technique. But it can be overused. Ever seen what a headshot taken at 85mm f/1.2 looks like? It’s easy to get distracted by the beautiful bokeh, and forget to notice that not even an entire eyeball is in focus. Um, not quite right.

Don’t be afraid of high apertures. Or low apertures. In fact, don’t be afraid of your aperture at all. Learn how depth of field works, and then use it as a creative decision to make each and every image just right. That’s what a great photographer does. They know their options, and use them all.

5. Get to Know Perspective


This is perhaps one of the most under-appreciated topics in photography. Put very simply, perspective has to do with the spatial relationships between objects in your frame – their sizes, their placements, and the space between them. All of this positioning works to change the way your viewer interprets the scene. It might make things look more 3D, giving the photo a sense of depth, or it might flatten everything out.

So why is this obviously important topic not widely discussed? Because it’s complicated! Or at least it can be at first glance.

Let’s start simply. Where you position yourself when you take a photo is a hugely important decision. It is what determines your perspective. And changing your perspective can take your photo from bland to totally engaging.

Getting to know perspective requires a lot of practice and experimentation. And moving those little feet of yours! Crouch, lie down, stand on a ladder, stand on a building, take a step forward, take a step to the left. These things change your perspective and make major impacts on the look and feel of your photos. Experiment. Take shots each time you change your perspective, and then compare them afterward. How does it change the image?

Now what about focal length? Does that change perspective? Technically no. That’s changing the angle of view (that is, the angle of the scene that your camera captures). Wide angle lenses capture a wider amount of the scene. Telephoto lenses capture a narrower amount of scene. Alone changing your lens doesn’t change perspective (though it may appear to). It’s when you combine a lens change with a position change that your perspective changes.

Perspective gets a lot more complex, and there are different ways to use it to achieve your goals with your shot. We’ll be writing more on this topic in the future, but if you want to dig into it right now, this article about perspective, from (believe it or not) a NAVY training course, is helpful!

6. Conquer Composition


Going broader now, we dive into composition. This is a huge topic that is all about how the various visual bits and pieces in a scene have been organized. It’s broader than perspective, and encompasses things like light, lines, shapes, forms, colors, frames, textures, patterns, movement, reflections and more.

You may have heard of the “rules” of composition: The Rule of Thirds, Negative Space, Balance or Visual Paths. Rules sound scary, and boring, and the idea that you have to sit down and memorize them before you’re allowed to be a photographer likely prevents many shooters from really diving into the wonderful world of composition.

But I’m here to tell you that the “rules” aren’t actually rules. They’re more like guidelines. These are ways to arrange elements in your frame that help tell a story, convey an emotion, or catch your viewers’ attention. All fun things, and all very essential things if you want to be a great photographer.

For instance, that “Rule of Thirds” you always hear about it. Well, it suggests that by placing your subject along one of these magical thirds lines, or at an intersection of the lines (what I like to call an Awesome Spot), you will automatically give that element a boost of importance in your frame. And that’s a great thing to know, because it can help you direct your viewer to look where you want them to!

But, if you’re feeling feisty, you could intentionally break that rule (gasp!), and put your subject absolutely dead centre. Perhaps you want to highlight the symmetry of your subject. Perhaps it’s a very serious looking object, and putting it dead centre enhances that feeling. Or perhaps it’s something totally goofy, and a boring centred composition creates some tension between the two.

It’s up to you, master photographer. When you know about composition, you get to make all sorts of fun choices like this with each and every image you take.

7. Perfect Your Post-Processing


Let’s end it off on a topic that is a little bit controversial.

See there are two camps in the photography world. There are those that believe that post-processing (using software to edit your images after they’ve been taken) is at best a waste of time, and at worst a perversion of reality.

The other camp believes that post-processing is a tool that a photographer can use help their images more closely resemble what their eyes witnessed as they took the photos, or go further to enhance the mood or tell a story. It’s a creative technique that has been around for as long as photography itself.

Any guesses which camp we belong to? ;)

Post-processing is an essential skill for a digital photographer. (Gasp! Even film photographers do post-processing!)

It’s a simple fact that straight out of your digital camera, your images don’t look anything like the original scene they captured. They’re dull, flat and lifeless.

Post-processing helps bring back that beauty by adjusting things like contrast, brightness, sharpness, and saturation.

Then you can go even further.

With programs like Adobe Lightroom you can do things like dodging and burning, which means to selectively lighten or darken parts of an image in order to direct your viewers’ attention where you want it to go.

These aren’t new techniques. Dodging and burning goes back to the beginnings of photography, but originally they were done by painstakingly exposing different parts of the print for different amounts of time.

Very difficult, and if you made a mistake you’d have to start all over again. This image by W. Eugene Smith apparently took 5 days to dodge and burn!

Nowadays, with Lightroom, you can do it in seconds, and fine tune as much as you’d like until you get things perfect. Don’t you feel kind of lucky? I know I do!

If you want to start with photography the RIGHT way – CLICK HERE for our easy, quick (and fun!) online course!


So those are 7 absolutely core aspects of photography that every shooter should be studying and developing. Some of them can be understood in a short period of time, and others will take a lifetime to master. But that’s good news. You’ve got a lot of exciting learning ahead of you!

But are there other things to learn? Are there other topics to dive into to help your photography? Of course there are! These are just a starting point. They get you proficient with a camera and the language of visual art. From there it’s a whole world of things to explore.

Maybe you want to do portraits, and then there’s a ton of subject interaction and psychology you could learn. Or perhaps you want to dive into travel photography. There you have a huge variety of genres, from photojournalism to landscape, and then an anthropologist’s curiosity for culture and a historian’s interest in the past will serve you well in telling the stories of the places you visit.

There’s no end to what you can learn as a photographer, but these 7 topics are a very good place to start. So what are you waiting for? Pick one and get going!

Your Turn

Which of these topics is your favourite to study? Are there others that are essential for photographers to know that we missed?

Share your thoughts with us in the comments now!

Lauren Lim

Hey friend, I’m Lauren! I’m a photography ninja here at Photography Concentrate. I’m downright obsessed with photography, and love sharing it with super cool folks like yourself. When I’m not shooting, or writing, you can find me cooking (and eating!), traveling, and hanging out with wonderful people.

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16 Comments // Leave a comment

  1. Lauren,

    You’ve pretty much covered the entire “core” of photography although there is one I’d like to add and that’s “Always be experimenting.” I’m constantly trying new things I’ve never done before or jumping at opportunities to shoot something new.

    Sometimes people get so infatuated with one area they never bother to branch out into something else they may excel at. I tried my hand at newborn photography not to long ago just because I wanted to try and it received 3 referrals the following week.

    I volunteer to take photos at an animal shelter for the adoptable dogs and cats to test and challenge my skills working with unpredictable subjects and that’s led to people asking me to do pet portraits for them.

    That’s one major thing I love about photography is there is always so much to learn and in so many ways!

    Probably two of my favorite topics out of this core list for me personally is attempting to master light and perfecting post processing mainly in regards to smoother workflow.

    • Thank you for the comment and the kind words Adam! I think you addition is spot on. Experimenting is key to progress and growth! Even if it doesn’t end up being a direction of photography you ultimately pursue, trying your hand at a new genre will undoubtedly teach you more than you ever imagined!

      And I’m with you – there is never a lack of things to dig into and learn more about when it comes to photography and that’s so much fun! :)

  2. I loved this from the first topic although I just started learning just 3weeks in but I think am learning fast and I keep going through ebooks and pdf’s online to learn more thank you so much cause you added to my knowledge I find joy taking photos of people even with my phone then I decided Yo push myself and here I am chasing my happiness

  3. Hi Lauren, this was a great article. You touched on things that were always in the back of my head that I needed to get to and work on. Thank you.

  4. Hi Lauren,

    These are perfect examples of things I need to work on as a beginner freelance photographer. Thanks for the great article!

  5. This is an amazing post. The master light and perspective sections are where I definitely need work. Photography is a journey though. I do love it. I wrote a post for amateur photographers and picture styles. Please check me out and leave comment so I can grow.


  6. Arastu Goyal says

    Hi lauren,

    thanqu for this examples my aim is photographer bcoz of these examples im sucess on my future i think so

    from:-Arastu Goyal

  7. smart vincent says

    i so much love the idea you gave to those that want to become photographers.

  8. Hi Lauren,

    Such an amazing and helpful article!

  9. Dennis Andrews says

    Hello ☺

    I have recently purchased a compact zoom point and shoot camera. I read online that the first crucial step is to read the manual closely to learn how to understand the features and range of your camera. I have completed this task, but what really helped me was reading a professional photographer’s intelligent critque of the functionality of the camera and all it’s features. Wow! . . . as a novice photographer, I learned so much from his online product review, I was able to comprehend most of his photography critique analysis of the camera, except when he wrote about the limited range of the aperture with the focal lens of the zoom (24 – 720mm) basically, he wrote you would not be able to perform successfully a close aperture portrait photo and blur the background because of the type of focal lens/aperture. My point in writing all of this to you, is that there is so much more to learn and sufficently understand about the nuances of the cameras range ( “sweet spot”) My first compact zoom point and shoot camera is Panasonic Lumix DMC-ZS50K. And, the online product review written by a professional photographer’s name is (Stoney) Amazon.com

  10. I thin this is a wonderful website to use to get to know and learn about photography. Keep up the good work! +)

  11. Hey it was vry helpful:)

  12. Hey that very important for a beginner…ummm like ME!!

  13. Great article! I just got my first nice camera last night, (Sony A6000) and I am in love! I can’t wait to really get a handle on all of these essential elements of photography. I really appreciate the simplicity of your explanations and the friendly encouragement. I would like to add emphasis to the fact that high-level meditators (wizards) CAN generate light at will, so I think we should all set our goals a bit higher as far as “mastery” is concerned ;) Thanks again and happy shooting!

  14. Great article! I love it .
    Thank you !

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